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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work rooted in the material and human histories of the city itself.\u003c\/p\u003e\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 3 of 5\u003c\/li\u003e\n\u003cli\u003eDate: 2025\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eFramed: 78 × 58 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that traces the ancient chalk and sandstone layers of the Norfolk landscape.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2026\u003c\/li\u003e\n\u003cli\u003eUnframed: 38 × 28 cm\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the layered geological and organic histories of the Norfolk landscape.\u003c\/p\u003e\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2025\u003c\/li\u003e\n\u003cli\u003eUnframed: 38 × 28 cm\u003cbr\u003e\n\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work rooted in the layered urban and tidal histories of the city.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 3 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2025\u003c\/li\u003e\n\u003cli\u003eUnframed: 38 × 28 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. Through her focus on transformations in matter over time, she investigates our entanglement with the material world and our reactions to its shifting, unstable nature.\u003c\/p\u003e\n\u003cp\u003eHodge finds emergent patterns of growth and disintegration in paint and print processes that echo those found in geological and biological systems. 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On urban and coastal walks, Hodge is drawn to discarded objects metamorphosed by accident or weathering. Using drawing, photographic processes, and direct impressions etched into printing plates (analogous to fossilisation), she creates images that draw attention to the organic, animate nature of these transforming things.\u003c\/p\u003e","brand":"Sam Hodge","offers":[{"title":"Framed","offer_id":58782832623961,"sku":null,"price":490.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/1639\/9705\/files\/4dbe1067-cf4e-4eae-a5c0-789f49b89951.jpg?v=1786108558"},{"product_id":"unfolding-test-and-trace-by-sam-hodge","title":"Unfolding Test and Trace - by Sam Hodge","description":"\u003ch2\u003eAbout the Work\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eUnfolding – Test and Trace\u003c\/em\u003e is a limited edition relief print by British artist Sam Hodge, made using ink derived from natural pigment sourced from Bawdsey, Suffolk — London Clay. Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that traces the ancient geological deposits of the Suffolk coast.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2026\u003c\/li\u003e\n\u003cli\u003eUnframed: 38 × 28 cm\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the ancient fossil-rich deposits of the Suffolk coastline.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2026\u003c\/li\u003e\n\u003cli\u003eUnframed: 38 × 28 cm\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. 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On urban and coastal walks, Hodge is drawn to discarded objects metamorphosed by accident or weathering. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the distinctive ferrous geology of the Suffolk coast.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2026\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work rooted in the ancient fossil-rich deposits of the Suffolk coastline.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2026\u003c\/li\u003e\n\u003cli\u003eUnframed: 38 × 28 cm\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the vivid geological strata of the Norfolk coastline.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2026\u003c\/li\u003e\n\u003cli\u003eUnframed: 38 × 28 cm\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the rare iron phosphate mineral found in the Norfolk landscape.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2025\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. Through her focus on transformations in matter over time, she investigates our entanglement with the material world and our reactions to its shifting, unstable nature.\u003c\/p\u003e\n\u003cp\u003eHodge finds emergent patterns of growth and disintegration in paint and print processes that echo those found in geological and biological systems. She interacts with the dynamic and generative properties of paint — pouring, tipping, pooling — allowing rivulets to erode and branch, or paint to settle, diffuse, and crack as it dries. She does not regard her works as static objects, but expects them to continue changing slowly throughout their lifetimes.\u003c\/p\u003e\n\u003cp\u003eShe often makes her own pigments, paints, and inks from found materials — earth, plants, and the detritus of human activity — connecting her work directly to the geological, biological, and human stories of the landscapes she walks through. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the rich organic and geological deposits of the Norfolk coastline.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2024\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the rich organic and geological deposits of the Norfolk coastline.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2024\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. Through her focus on transformations in matter over time, she investigates our entanglement with the material world and our reactions to its shifting, unstable nature.\u003c\/p\u003e\n\u003cp\u003eHodge finds emergent patterns of growth and disintegration in paint and print processes that echo those found in geological and biological systems. She interacts with the dynamic and generative properties of paint — pouring, tipping, pooling — allowing rivulets to erode and branch, or paint to settle, diffuse, and crack as it dries. She does not regard her works as static objects, but expects them to continue changing slowly throughout their lifetimes.\u003c\/p\u003e\n\u003cp\u003eShe often makes her own pigments, paints, and inks from found materials — earth, plants, and the detritus of human activity — connecting her work directly to the geological, biological, and human stories of the landscapes she walks through. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that carries the ancient organic matter of the Norfolk shoreline.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2024\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. Through her focus on transformations in matter over time, she investigates our entanglement with the material world and our reactions to its shifting, unstable nature.\u003c\/p\u003e\n\u003cp\u003eHodge finds emergent patterns of growth and disintegration in paint and print processes that echo those found in geological and biological systems. She interacts with the dynamic and generative properties of paint — pouring, tipping, pooling — allowing rivulets to erode and branch, or paint to settle, diffuse, and crack as it dries. She does not regard her works as static objects, but expects them to continue changing slowly throughout their lifetimes.\u003c\/p\u003e\n\u003cp\u003eShe often makes her own pigments, paints, and inks from found materials — earth, plants, and the detritus of human activity — connecting her work directly to the geological, biological, and human stories of the landscapes she walks through. On urban and coastal walks, Hodge is drawn to discarded objects metamorphosed by accident or weathering. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the rich organic and geological deposits of the Norfolk coastline.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2024\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. Through her focus on transformations in matter over time, she investigates our entanglement with the material world and our reactions to its shifting, unstable nature.\u003c\/p\u003e\n\u003cp\u003eHodge finds emergent patterns of growth and disintegration in paint and print processes that echo those found in geological and biological systems. She interacts with the dynamic and generative properties of paint — pouring, tipping, pooling — allowing rivulets to erode and branch, or paint to settle, diffuse, and crack as it dries. She does not regard her works as static objects, but expects them to continue changing slowly throughout their lifetimes.\u003c\/p\u003e\n\u003cp\u003eShe often makes her own pigments, paints, and inks from found materials — earth, plants, and the detritus of human activity — connecting her work directly to the geological, biological, and human stories of the landscapes she walks through. On urban and coastal walks, Hodge is drawn to discarded objects metamorphosed by accident or weathering. 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Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the rich organic and geological deposits of the Norfolk coastline.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2024\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. Through her focus on transformations in matter over time, she investigates our entanglement with the material world and our reactions to its shifting, unstable nature.\u003c\/p\u003e\n\u003cp\u003eHodge finds emergent patterns of growth and disintegration in paint and print processes that echo those found in geological and biological systems. She interacts with the dynamic and generative properties of paint — pouring, tipping, pooling — allowing rivulets to erode and branch, or paint to settle, diffuse, and crack as it dries. She does not regard her works as static objects, but expects them to continue changing slowly throughout their lifetimes.\u003c\/p\u003e\n\u003cp\u003eShe often makes her own pigments, paints, and inks from found materials — earth, plants, and the detritus of human activity — connecting her work directly to the geological, biological, and human stories of the landscapes she walks through. On urban and coastal walks, Hodge is drawn to discarded objects metamorphosed by accident or weathering. Using drawing, photographic processes, and direct impressions etched into printing plates (analogous to fossilisation), she creates images that draw attention to the organic, animate nature of these transforming things.\u003c\/p\u003e","brand":"Sam Hodge","offers":[{"title":"Framed","offer_id":58783814025561,"sku":null,"price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/1639\/9705\/files\/1c305215-bca5-44de-a01f-8279a7c8f6f7.jpg?v=1786107227"},{"product_id":"unfolding-explore-every-inch-of-the-world-by-sam-hodge","title":"Unfolding Explore Every Inch of the World - by Sam Hodge","description":"\u003ch2\u003eAbout the Work\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eUnfolding – Explore Every Inch of the World\u003c\/em\u003e is a limited edition relief print by British artist Sam Hodge, made using ink derived from natural pigment sourced from Middleton Quarry, Norfolk — Greensand. Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the ancient sandstone geology of the Norfolk landscape.\u003c\/p\u003e\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2025\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. Through her focus on transformations in matter over time, she investigates our entanglement with the material world and our reactions to its shifting, unstable nature.\u003c\/p\u003e\n\u003cp\u003eHodge finds emergent patterns of growth and disintegration in paint and print processes that echo those found in geological and biological systems. She interacts with the dynamic and generative properties of paint — pouring, tipping, pooling — allowing rivulets to erode and branch, or paint to settle, diffuse, and crack as it dries. She does not regard her works as static objects, but expects them to continue changing slowly throughout their lifetimes.\u003c\/p\u003e\n\u003cp\u003eShe often makes her own pigments, paints, and inks from found materials — earth, plants, and the detritus of human activity — connecting her work directly to the geological, biological, and human stories of the landscapes she walks through. On urban and coastal walks, Hodge is drawn to discarded objects metamorphosed by accident or weathering. Using drawing, photographic processes, and direct impressions etched into printing plates (analogous to fossilisation), she creates images that draw attention to the organic, animate nature of these transforming things.\u003c\/p\u003e","brand":"Sam Hodge","offers":[{"title":"Framed","offer_id":58783823135065,"sku":null,"price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/1639\/9705\/files\/a92c8181-1cb6-4824-a3f2-66e7f895d976.jpg?v=1786107124"},{"product_id":"unfolding-just-quit-by-sam-hodge","title":"Unfolding Just Quit - by Sam Hodge","description":"\u003ch2\u003eAbout the Work\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eUnfolding – Just Quit\u003c\/em\u003e is a limited edition relief print by British artist Sam Hodge, made using ink derived from natural pigment sourced from Middleton Quarry, Norfolk — Greensand. 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Through her focus on transformations in matter over time, she investigates our entanglement with the material world and our reactions to its shifting, unstable nature.\u003c\/p\u003e\n\u003cp\u003eHodge finds emergent patterns of growth and disintegration in paint and print processes that echo those found in geological and biological systems. She interacts with the dynamic and generative properties of paint — pouring, tipping, pooling — allowing rivulets to erode and branch, or paint to settle, diffuse, and crack as it dries. She does not regard her works as static objects, but expects them to continue changing slowly throughout their lifetimes.\u003c\/p\u003e\n\u003cp\u003eShe often makes her own pigments, paints, and inks from found materials — earth, plants, and the detritus of human activity — connecting her work directly to the geological, biological, and human stories of the landscapes she walks through. On urban and coastal walks, Hodge is drawn to discarded objects metamorphosed by accident or weathering. Using drawing, photographic processes, and direct impressions etched into printing plates (analogous to fossilisation), she creates images that draw attention to the organic, animate nature of these transforming things.\u003c\/p\u003e","brand":"Sam Hodge","offers":[{"title":"Default Title","offer_id":58783826313561,"sku":null,"price":225.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/1639\/9705\/files\/c0fa65b0-8968-4f13-848d-0b43fdc945b1.jpg?v=1786109824"},{"product_id":"unfolding-plugged-in-by-sam-hodge","title":"Unfolding Plugged in - by Sam Hodge","description":"\u003ch2\u003eAbout the Work\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eUnfolding – Plugged In\u003c\/em\u003e is a limited edition relief print by British artist Sam Hodge, made using ink derived from natural pigment sourced from West Runton, Norfolk. Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that draws on the rich organic and geological deposits of the Norfolk coastline.\u003c\/p\u003e\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2024\u003c\/li\u003e\n\u003cli\u003eUnframed: 38 × 28 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. 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On urban and coastal walks, Hodge is drawn to discarded objects metamorphosed by accident or weathering. Using drawing, photographic processes, and direct impressions etched into printing plates (analogous to fossilisation), she creates images that draw attention to the organic, animate nature of these transforming things.\u003c\/p\u003e","brand":"Sam Hodge","offers":[{"title":"Default Title","offer_id":58783827558745,"sku":null,"price":225.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/1639\/9705\/files\/5bd518b7-400c-400b-bef3-53065f6532d4.jpg?v=1786109734"},{"product_id":"unfolding-for-your-individual-needs-by-sam-hodge-2","title":"Unfolding For Your Individual Needs - by Sam Hodge","description":"\u003ch2\u003eAbout the Work\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eUnfolding – For Your Individual Needs\u003c\/em\u003e is a limited edition relief print by British artist Sam Hodge, made using ink derived from natural pigments sourced from Norfolk: Greensand and Vivianite from Middleton Quarry, and brown earth from West Runton. 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Through her focus on transformations in matter over time, she investigates our entanglement with the material world and our reactions to its shifting, unstable nature.\u003c\/p\u003e\n\u003cp\u003eHodge finds emergent patterns of growth and disintegration in paint and print processes that echo those found in geological and biological systems. She interacts with the dynamic and generative properties of paint — pouring, tipping, pooling — allowing rivulets to erode and branch, or paint to settle, diffuse, and crack as it dries. She does not regard her works as static objects, but expects them to continue changing slowly throughout their lifetimes.\u003c\/p\u003e\n\u003cp\u003eShe often makes her own pigments, paints, and inks from found materials — earth, plants, and the detritus of human activity — connecting her work directly to the geological, biological, and human stories of the landscapes she walks through. On urban and coastal walks, Hodge is drawn to discarded objects metamorphosed by accident or weathering. Using drawing, photographic processes, and direct impressions etched into printing plates (analogous to fossilisation), she creates images that draw attention to the organic, animate nature of these transforming things.\u003c\/p\u003e","brand":"Sam Hodge","offers":[{"title":"unframed","offer_id":58783935562073,"sku":null,"price":350.0,"currency_code":"GBP","in_stock":true},{"title":"framed","offer_id":58783935594841,"sku":null,"price":420.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/1639\/9705\/files\/b7da747f-a27b-4ec9-871e-e5034763c119.jpg?v=1786107965"},{"product_id":"unfolding-enjoy-by-sam-hodge","title":"Unfolding Enjoy - by Sam Hodge","description":"\u003ch2\u003eAbout the Work\u003c\/h2\u003e\n\u003cp\u003e\u003cem\u003eUnfolding – Enjoy\u003c\/em\u003e is a limited edition relief print by British artist Sam Hodge, made using ink derived from natural pigments. Each print is made from unfolded packaging, pressed onto grey Somerset paper — a work that traces the material and geological stories embedded in the landscape.\u003c\/p\u003e\n\n\u003ch2\u003eEdition \u0026amp; Dimensions\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003eEdition: 1 of 3\u003c\/li\u003e\n\u003cli\u003eDate: 2025\u003c\/li\u003e\n\u003cli\u003eFramed: 40 × 30 cm\u003c\/li\u003e\n\u003cli\u003eMedium: Relief print, hand-made ink on grey Somerset paper\u003c\/li\u003e\n\u003c\/ul\u003e\n\n\u003ch2\u003eAbout Sam Hodge\u003c\/h2\u003e\n\u003cp\u003eSam Hodge works with print and paint to explore what materials can do and what stories they tell. Through her focus on transformations in matter over time, she investigates our entanglement with the material world and our reactions to its shifting, unstable nature.\u003c\/p\u003e\n\u003cp\u003eHodge finds emergent patterns of growth and disintegration in paint and print processes that echo those found in geological and biological systems. She interacts with the dynamic and generative properties of paint — pouring, tipping, pooling — allowing rivulets to erode and branch, or paint to settle, diffuse, and crack as it dries. She does not regard her works as static objects, but expects them to continue changing slowly throughout their lifetimes.\u003c\/p\u003e\n\u003cp\u003eShe often makes her own pigments, paints, and inks from found materials — earth, plants, and the detritus of human activity — connecting her work directly to the geological, biological, and human stories of the landscapes she walks through. On urban and coastal walks, Hodge is drawn to discarded objects metamorphosed by accident or weathering. Using drawing, photographic processes, and direct impressions etched into printing plates (analogous to fossilisation), she creates images that draw attention to the organic, animate nature of these transforming things.\u003c\/p\u003e","brand":"Sam Hodge","offers":[{"title":"framed","offer_id":58783937397081,"sku":null,"price":250.0,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/1639\/9705\/files\/80b3d124-393c-4a38-957c-fb8ec4ff43ae.jpg?v=1786109229"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0964\/1639\/9705\/collections\/655960c5-70cf-4890-86ac-cacc0841f4cb.jpg?v=1787845991","url":"https:\/\/harrycjwix.com\/collections\/art-prints-photography.oembed","provider":"Harry C.J Wix","version":"1.0","type":"link"}